Now that I have a working Tesla coil, I took some pictures and thought I'd share some of the things I learned along the way. Some of these things are personal preference though

First thing I see when people are talking about their pictures is the fairly long exposure time of >1sec. I found that that is not always necessary. If you can get the arcs bright enough (large enough aperture & ISO), you might try some shorter exposure times:

This image had one 6th exposure time and f5.6 with iso 400.
Also this was a ground strike, so a little brighter a usual arc.

This one is with 10th instead of 6th, but zoomed in and not a ground strike (also i think higher interrupter frequency)
The issue that I have with longer exposures is that the arcs start to look extremely branched, because too many individual arcs are within one exposure time. Even at 50Hz interrupter frequency, quite a few arcs will be in one 10th second exposure.
Secondly I have seen many images, where the arcs look completely white, even if they aren't a ground strike. This is likely to be because the arcs were over exposed (just like the top image here in some places).
I always try to under-expose an image, as over exposure leads to loss of color information, but under exposure (only to a point of course) does not. The pixels can always be brightened in post.
I can't tell you how exactly to set those parameters in your camera, but mode M is (usually) full manual (shutter, aperture and iso).
I would recommend that mode, because the cameras auto modes might be confused by the rapidly changing brightness.
Start by setting your ISO (the sensor gain), probably to 400.
Then set the aperture as wide open as possible and your exposure to around 1/10th second and take a picture. This will probably look bad, so you will have to tune your parameters from there.
Since all of the parameters change multiple things, there isn't just a list to follow for tuning the image, but here's what the settings do:
- ISO: adjusts the light sensitivity of the sensor, making the image darker or brighter, but the higher you go, the more noisy the image will become
- Aperture: This controls how much light gets through your Lens, so will also make the image darker or brighter, but without increasing noise (a smaller value means a larger aperture and thus more light)
But this also changes the depth of focus. The smaller your aperture the more in focus objects away from the focal point will be, and vise versa. Look up Bokeh effect if you want to know more - Shutter: the length of the exposure, this (also) changes the brightness, increasing noise a tiny bit with longer exposures (but not all that much). The longer exposures also capture more arcs, making them look more branched
Manual focus is also suggested by many, but I never manage to get that on point. My camera (Nikon D5100) quite happily focused on the arcs though. And for those situations where it does not, I tend to light up an object at the distance, that the arcs will be at, let the autofocus do its thing, and then lock it (though this only works on a tripod). This way, you can be sure that the focus is good.
I also think a tripod is only necessary, when taking fixed focus shots, or ones with longer exposures.
The images above were made without one and even if I take 1/2s ones are not shaky (my lens has active stabilization though).
But the most important thing in my mind is the post processing of the images, exposure, contrast, sharpness, etc... That is where ALL images really start to look impressive, not just those of arcs.
Make sure to save the images in the RAW format and not just JPEGed if your camera supports it, because that will allow for much more freedom in edit (sometimes you can get a good looking image, even if a large part of it looks completely black).
I use an ancient version of adobe lightroom for this, but there are probably some free / open source alternatives.
And if you want to go all in, you can of course set up a scene with foreground and background. Just a few things that come to mind here would be the coil left side, half out of shot and the target, maybe a colored fluorescent lamp, in the top right 1/3 1/3 point, or the entire thing in reverse, shooting with the target in the front and the coil as the background. Maybe also experiment with different targets for the arc, different colored lamps or something else that lights up, maybe even yourself, if you have a remote trigger for your camera and the required safety equipment (!).
EDIT: i have more arc shots, at full quality on my website now if you want to download them:
https://tmax-electronics.de/projects/tesla-coil/just scroll down to the sliding gallery at the end of the post and click on the image you want.
Hope this helps somebody
