https://www.youtube.com/watch?v=XX9Ze8q0-ls&list=PLfyDNmFLU7R0Lk9rTinJ5NiEQZpM74Nxw&index=3

I'm not sure this has already been done
I am seen driving around with my 1967 Triumph Bonneville with Porcupine Tree Trains as the background music on the route of an old railway and I have added the Tesla Coil equivalent of this music

- Roland UM-ONE MK2
- Eastern Voltage Research Universal MIDI 1.5 Interrupter
- Perfect synchro

TMAX's MidiStick is working perfectly and I see potential for the future

Only small inconvenience, it does not want to work between two computers under Windows 10 Pro in Remote Transfer Protocol mode

or try to go an octave or two down, I think Franzoli does this for a better sound.

Yes, I realize that it sounds like a car horn.
I'm still waiting for the TMAX Midi Stick to produce the drum and cymbal sounds.
EVR also recommends going down an octave or two.

Still, the time base of MIDI tracks seems elastic to me despite adding a synchronization note at the end, because the beginnings of each track do not coincide and I have to replace parts of each track

The TMAX Midi Stick will really allow me to play each track in real time and it will be much easier to sync each track afterwards.

I do not redo any test while waiting for the Midi Stick

I use Anvil Studio with the update Pro to edit my MIDI files and add my sync notes at the start and end of each track,

But by doing this, the EVR MIDI Controller 2.0 did not want to play the file.

I finally joined the designer of this controller and he suggested that I use Aria Maestosa which removes the too advanced MIDI commands that the controller does not understand.

- I edit any file of my choice with Anvil Studio Pro
- I use the "Repair Song" function to clean the file
- I place all the Volume at 100% and the Balance in the center
- I save the file with all the tracks
- Then I use this master file to create a file per track which goes to 9 for Thunderstruck
- Then I imported and exported the 9 files by Aria Maestosa which serves as a buffer by doing a 2nd cleaning
- Everything works perfectly for the controller afterwards

I use Adobe Premiere Elements 2021 to edit the video files of each track and I adjust the volume of the sound of each track so that it looks as much as possible with the original MIDI file.

The GoPro Black 7 is really not intended for extreme audio like the large size Marx Generator and Tesla Coils produce, so I use Rode's VideoMicro which is a cardiod microphone perfectly suited for loud music.

Again, I have to manually adjust each track so that it fits together well, because the time base of each track is a bit elastic and I can have a difference of up to 2 seconds for a duration of 5 minutes, not to mention the time elastic inside each track

I had to rework each track manually with Adobe Premiere Elements a whole evening for a drinkable result and there were still parts to improve, but at this point it's practically note by note and I have other things to do 

For now I can not use the drum sounds of channel 10, but I can with the TMAX MidiStick

the final image of the video editor

http://transgarp.dyndns.org/div/Thunderstuck.png